I'm the Hester Prynne of freshman football.

我就新生橄榄球队海丝特？白兰。

A Short View of the Immorality and Profaneness of the English Stage is 300 pages. Short by Prynne's standards.

《对英国舞台不道德和亵渎短视》有300页 白兰说：太短了。

Prynne claimed he was talking about a troupe of French actresses who had visited London in 1629 and had been booed and pippin-pelted off the stage.

白兰称自己指群法国女演员 她们曾于1629年到伦敦进行演出 结果被唏嘘赶下舞台。

Thou and thine, Hester Prynne, belong to me.

你和你，海丝特·白兰，属于我。

The greatest example of an anti-theatrical text is probably William Prynne's Histriomastix, a thousand pages of invective against the theater published in 1632.

最牛逼篇反戏剧文章大概威廉·白兰于1632年出版“Histriomastix” 长页 全对戏剧谩骂。

Whom, but the Reverend Arthur Dimmesdale, half frozen to death, overwhelmed with shame, and standing where Hester Prynne had stood!

谁，不·丁梅斯代尔牧师，他冻得半死，羞愧难当，站在海丝特·白兰站过地方！

Slowly as the minister walked, he had almost gone by, before Hester Prynne could gather voice enough to attract his observation.

牧师走得很慢， 他几乎已经过去了，海丝特·白兰还没来得及发出足够声音来引起他注意。

The shadow of the curtain fell on Hester Prynne, and partially concealed her.

窗帘影子落在海丝特·白兰身上，遮住了她部分。

Yet these thoughts affected Hester Prynne less with hope than apprehension.

然而，这些想法对海丝特白兰影响与其说希望，倒不如说忧虑。

Meanwhile, Hester Prynne was standing beside the scaffold of the pillory, with the scarlet letter still burning on her breast!

与此同时，海丝特·白兰站在手铐脚手架旁，胸前红字还燃烧着！

Hester Prynne—slowly, as if impelled by inevitable fate, and against her strongest will—likewise drew near, but paused before she reached him.

海丝特·白兰——慢慢地，仿佛被不可避免命运所驱使，违背了她最强烈意志——同样走近了，但在她到他之前停了下来。

It now writhed in convulsions of pain, and was a forcible type, in its little frame, of the moral agony which Hester Prynne had borne throughout the day.

它现在痛苦地抽搐着扭动着，在它小小身体里， 海丝特·白兰整天所承受精神痛苦有力典型。

And Hester Prynne had returned, and taken up her long-forsaken shame.

海丝特·白兰回来了，取回了她久违耻辱。

The eyes of the wrinkled scholar glowed so intensely upon her, that Hester Prynne clasped her hand over her heart, dreading lest he should read the secret there at once.

满脸皱纹学者眼睛在她身上射出如此强烈光芒，海丝特·白兰用手捂住心口，生怕他会立刻读出那里秘密。

But okay, Prynne's work wasn't the final dramatic nail in the theaters coffin; what did it? Well, it starts with Charles I. King of England, Scotland, and Ireland and hubby to Henrietta Maria.

不过 好吧 白兰页书并不将戏剧送进坟墓最后把黑手那最后把黑手谁呢 查尔斯世 即英格兰、苏格兰和爱尔兰国王 也亨利埃塔·玛丽丈夫 罪魁祸首。

Hester Prynne, nevertheless, the lonely mother of this one child, ran little risk of erring on the side of undue severity.

然而，海丝特·白兰作为这个孩子孤独母亲，几乎没有犯过分严厉风险。

Thus, we seem to see that, as regarded Hester Prynne, the whole seven years of outlaw and ignominy had been little other than a preparation for this very hour.

因此，我们似乎看到，对于海丝特白兰来说，整整七年不法行为和耻辱只不过为这个时刻做准备。