Which is why, in the spring of 1970, I didn't feel in much of a hurry to see the newly installed paintings, a monument to another fallen American abstract painter, it smacked too much of reverence.
这就是为什么在1970年的春季,我并不急于去看新近安置进来的那些作品,去看又一个故去的美国抽派艺术家的纪念碑,它带有如此多的敬意。