Hello! This is Nelson speaking?

喂!我是尼尔。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔品重新搬上乐坛，并把大量音乐列人演奏曲目，尽管他极其讲究调，不大喜欢音乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔品重新搬上舞台，同时编排音乐曲目，尽管他这个对音调极其讲究音乐家但对音乐并不喜欢。

Hello! This is Nelson speaking?

喂!我森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和森的作品重新搬上乐坛，并把大量当代乐列人演奏曲目，尽管他极其讲究调，不大喜欢当代乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和森的作品重新搬上舞台，同时编排了当代乐曲目，尽管他这调极其讲究的乐家但当代乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒森的作品重新搬上坛，并把大量当代音演奏曲目，尽管他极其讲究调，不大喜欢当代音。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒森的作品重新搬上舞台，同时编排了当代音曲目，尽管他这个对音调极其讲究的音家但对当代音并不喜欢。

Hello! This is Nelson speaking?

喂!尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尔森的作品重新搬上乐坛，并把大量当代乐列人演奏曲目，尽管他极其讲究，不大喜欢当代乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尔森的作品重新搬上舞台，同时编排了当代乐曲目，尽管他这个极其讲究的乐家但当代乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新，把大量当代音列人演奏曲目，尽管他极其讲究调，不大喜欢当代音。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新台，同时编排了当代音曲目，尽管他这个对音调极其讲究的音家但对当代音不喜欢。

Hello! This is Nelson speaking?

喂!我是尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马尔森的作品重新搬上坛，并把大量当代音列人演奏，尽管他极其讲究调，不大喜欢当代音。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马尔森的作品重新搬上舞台，同时编排了当代音，尽管他这个对音调极其讲究的音家但对当代音并不喜欢。

Hello! This is Nelson speaking?

喂!我森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和森的作品重新搬上乐坛，并把大量当代乐列人演奏曲目，尽管他极其讲究调，不大喜欢当代乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和森的作品重新搬上舞台，同时编排了当代乐曲目，尽管他这调极其讲究的乐家但当代乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔品重新搬上乐坛，并把大量乐列人演奏曲目，尽管他极其讲究调，不大喜欢乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔品重新搬上舞台，同时编排了乐曲目，尽管他这个对调极其讲究乐家但对乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒森的作品重新搬上坛，并把大量当代列人演奏目，尽管他极其讲究调，不大喜欢当代。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒森的作品重新搬上舞台，同时编排了当代目，尽管他这个对调极其讲究的家但对当代并不喜欢。