However his huge success had much to do with his mentor, Gustavo Flaubert.

然而，莫泊桑的巨大成功和他的文学导师福楼拜是分不开的。

" It didn't come easy to Flaubert, and his stuff is good" .

“福楼拜来之不易， 他的东西很好” 。

The newspapers had, for Flaubert, armed stupidity and given authority to fools.

在福楼拜看来，报纸武装了愚蠢，并赋予傻瓜权力。

Ford, it is claimed, is of the school of Stendhal and of Flaubert; Ford is a psychologist.

据称，福特是司汤达和福楼拜学派的代表。福特是位心理学家。

It does not care whether Flaubert finds the right word or whether Carlyle scrupulously verifies this or that fact.

它不关心福楼拜是否找到了正确的词，或尔是否谨慎地验证了这个或那个事实。

Paradoxically, one can perhaps be proudest to be French when one reads Gustave Flaubert.

矛盾的是，当个人读到古斯塔夫·福楼拜， 他也许会以身为法国人而感到最自豪。

Stories are told of scrupulous writers like Flaubert, who spent days trying to get one or two sentences exactly right.

很多故事都讲述了像福楼拜这不苟的作家，他们花了好几天间试图把两句话写对。

Flaubert keeps the word in italics throughout to send up the neo religious reverence in which this object is held.

福楼拜始终用斜体字表示这个词，以表达对这个对象的新宗教崇敬。

And so the writer, Keats, Flaubert, Carlyle, suffers, especially in the creative years of youth, every form of distraction and discouragement.

因此，济慈、福楼拜、尔等作家都饱受各种形式的干扰和沮丧，尤其是在青年期的创作年代。

For Flaubert, the French bourgeoisie could be a repository of the most extreme prudery, snobbery, smugness, racism and pomposity.

对福楼拜来说，法国资产阶级可能是最极端的拘谨、势利、自鸣得意、种族主义和浮夸的宝库。

Foreside from hating a lot about his country, Flaubert also captures some of its best and wisest sides.

除了对他的国家深恶痛绝之外， 福楼拜还抓住了它最好和最聪明的些方面。

Flaubert described himself in a letter as being in a semi-diseased state, " itching with sentences." He just had to get them out.

福楼拜在封信中形容自己处于种半病态的状态，“对句子心痒痒”。他只需要把他们救出来。

Flaubert seemed almost deliberately to enjoy unsettling the desire to find easy answers.

福楼拜似乎几乎是有意地享受消除寻找简单答案的欲望的乐趣。

Flaubert's novel shows us the tensions and travails of married life without ever really taking sides.

福楼拜的小说向我们展示了婚姻生活的紧张和痛苦，但从未真正偏袒任何方。

Gustave Flaubert was a bourgeois, a middle-class Frenchman, and yet he loathed a great deal to do with his country and his class.

古斯塔夫·福楼拜是个资产阶级， 个中产阶级的法国人，但他非常厌恶与他的国家和他的阶级有关。

New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living!

纽约， 对于个经常光顾龚古尔和福楼拜的年轻人来说，他认为思想的生活是唯值得过的生活！

Flaubert wrote arguably the single greatest tragic novel ever written, Madame Bovary, which he worked on for five years and published in 1857.

福楼拜写了可以说是有史以来最伟大的悲剧小说《包法利夫人》，他为此工作了五年并于 1857 年出版。

The indifference of the world which Keats and Flaubert and other men of genius have found so hard to bear was in her case not indifference but hostility.

济慈、福楼拜和其他天才发现如此难以忍受的世界冷漠，在她的情况下不是冷漠而是敌意。

At the age of 17, in a somewhat melodramatic mood Flaubert wrote " Art is superior to everything, a book of poetry is worth more than a railway."

17岁那年，福楼拜以种略带戏剧性的心情写道：“艺术高于切，本诗集比铁路更有价值。

In the 1870s, Flaubert began keeping a record of what he judged to be the most idiotic patterns of thought promoted by the modern world in general and by newspapers in particular.

在 1870 年代，福楼拜开始记录他认为是现代世界，特别是报纸所提倡的最愚蠢的思维模式。