Nietzsche makes much of this linking of tragedy to the satyr play in The Birth of Tragedy, as he does with the ancestry of tragedy in Dionysian dithyrambs.

尼采在《悲的诞生》中充分利用了悲与色的这种联系，就像他在酒神颂中与悲的祖先所做的那样。

I will not dwell on Naumann's jokes at the expense of Mr. Casaubon that evening, or on his dithyrambs about Dorothea's charm, in all which Will joined, but with a difference.

我不会详述 Naumann 那天晚上拿 Casaubon 先生开玩笑的笑话，也不会详述他对 Dorothea 魅力的狂热颂，Will 也加入其中，但有所不同。